Its Day
Being Gone
Rose
Mclarney
Penguin
Books
I’m still here. I can’t stay away from the
hard images. - Facing North
Rose
McLarney’s poems speak of the fragility of the land and of its resilience. They
tell of the strength and vulnerability of its inhabitants. These are the hard
images of which she speaks in the lead poem of her striking new collection.
Her poem
“Imminent Domain” begins with the image of South American women who won’t leave
their land to make room for a hydroelectric dam, and then compares them to the
Appalachian families evicted to make room for Fontana Dam, and the many reservoirs
of the Tennessee Valley. She tells of how she “…swam over houses in Carolina,”
in a voice worthy to speak for people dispossessed. She ends by saying how she
too felt the urge to control flowing water and built dams of her own as a
child, This poem is typical because McLarney can’t stop her poems with one
insight, she gives us the whole picture in words and images which made this,
her second book, a prize winner in the National Poetry Series and earned
publication by a major house. Each poem tells a story of life on the land,
filled with struggles, yet well lived.
A full list
of publications which have featured McLarney’s poems is not possible here, but
Kenyon Review, New England Review, Slate, Orion, and the Missouri Review are
among her noteworthy publication credits. For her first book, The Always Broken Plates of Mountains,
she received the George Garrett New Writing Award given by the Fellowship of
Southern Writers. As a result of receiving the award, she read from her book at
the Celebration of Southern Literature in Chattanooga. At this reading she startled
the audience with her presence, the clarity of her vision, and the lyric beauty
of her poems. The new book, Its Day Being
Gone, is better yet.
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