Monday, October 29, 2018

Bull Gator's Lament, with Introduction

Introduction

            I am writing a series of blog posts which may become a short book of daily meditations on the natural world. Some of these entries began as short articles published in newsletters and periodicals. Some began as performance pieces read or recited to live audiences. In some cases, I learned the hard way how long is too long for a performance piece. I also learned that the tolerance for lengthy pieces varies from one audience to another in sometimes unpredictable ways.
Some of the pieces were written as short essays and combined for submission to journals as braided essays. Longer pieces are fine as essays, but do not work well as orations, so I have unwound a few essays into component parts to create the short meditations presented here and for use in performance art.
In most cases I have included citations to places where the reader can find more information. Use of these references is, of course, up to you, but I want your experience of the pieces to be as much about you, the reader, as it is about me, the author. I have also posed questions which you may view as a starting point for your own meditation, an opportunity for rebuttal, or questions to be ignored. A few people may view them as writing prompts. Posting them on my blogs creates opportunities for reply.



Bull ’Gator’s Lament

What’s that man lookin’ at, down here in this cypress swamp, so thick with branches that the sun barely gets through? He’s lookin’ at me, Old Bull ’Gator, and I’m lookin’ at him.  Why don’t you come on over for dinner?
Speaking of dinner, you should have been here when I grabbed that turtle from his sunny spot over there by the water hyacinths. When I broke through to meat, those tourists thought a rifle shot had gone off. Fish, man, bird, or turtle, I get my dinner.
Sometimes, man eats us though. He’ll come down to this swamp and put a bullet in a ’gator’s brain. Those poachers don’t waste any time. They skin the ’gator out right here and cut up the tail meat for Cajun delight. The hide gets made into boots.
The poachers never got me though. Bigger ’gators missed their chance too. I had to be careful when I was young, because we've been known to eat our own. But now, I’m king of this here swamp.
Springtime is my favorite time of year, with Spanish Moss fluttering in the breeze, like curtains in an old mansion house. That’s when I get to bellowing. My bellows echo off the cypress trunks and all through the swamp. Those lady ’gator’s bellow right back. When one of them judges Old Bull fit, we spin like two demons in a whirlpool.
Pretty soon, she will be building a nest out of mud and sticks. When the eggs hatch that fierce old momma ’gator hears those young’uns grunting She gently pulls the nest apart and tenderly frees the baby ’gators. That’s when she won’t want Old Bull around, because we’ve been known to eat our own.
Maybe I’ll just wonder off and watch those fishing boats go by. Perhaps one of them will flip over. Man, fish bird or turtle, I get my dinner.
Look over yonder at those little ’gators sunning themselves on their momma’s snout. I believe one of them is a baby bull. He will have to grow some before he can be king of my swamp. 

Commentary:
Bull ’Gator’s Lament is a performance piece, generally well received by the audience. It was once much longer and is now shortened to a length that works better. I will continue to refine it as I present it at more venues. It is of course, pure fantasy. For a factual look an alligator’s habitat, read Everglades, River of Grass by Marjory Stoneman Douglass

For the Reader:
Though nature is sometimes portrayed in the cuddly realm of soft bunny rabbits and downy goslings, predation is a day to day reality. Some animals are downright frightening.  
How to you perceive the natural world?
Is it a resource for the creation of wealth through extraction of such materials as timber and coal?
Is it a wilderness to be protected, or perhaps tamed?
Is it a place of solace and healing?
Is it a frightening place? 

Thursday, March 9, 2017

Chattanooga Writers Chat
Thursday, March 30
6 to 7 PM
Star Line Books
1467 Market Street # 106
Chattanooga, Tennessee

Chattanooga Writers Chat is an encouragement group in which area writers can gather to discuss resources available to writers to develop their craft and promote their work. For the month of March, we will discuss the book Bird by Bird: Some Instructions on Writing and Life by Anne Lamott. Participants are advised to obtain and read a copy before attending. Ray Zimmerman will lead the discussion. Ray has produced, promoted, and hosted numerous events in the Chattanooga region.

What people are saying about Bird by Bird

“A warm, generous, and hilarious guide through the writer’s world and its treacherous swamps.”
- Los Angeles Times

“Superb writing advice...hilarious, helpful and provocative.” - New York Times Book Review

“A gift to all of us mortals who write or ever wanted to write...sidesplittingly funny, patiently wise and alternatively cranky and kind - a reveille to get off our duffs and start writing now, while we still can.
- Seattle Times

An Excerpt from the Book:

“Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils, and unopened books on birds, immobilized by the bigness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said, ‘bird by bird, buddy. Just take it bird by bird.’”

Tuesday, February 7, 2017

We Are Water

Dry weather this year
Color fades on dying trees
We are water
I am excited to announce that my new book, We are Water, is in the final stages of production. I review the final draft at the printer tomorrow, and hope the print run will be complete next week.
This book is a very small product, featuring haiku and color photographs. The photograph and matching haiku appear on facing pages, and the poems are inspired by the nature photographs. In technical terms, they are ekphrastic.
Initial production will be a short run, due to the cost of color printing, and the book will be available from the author and through a local book store. Five of my poem/photograph combinations are also available as post cards at Star Line Books in Chattanooga. I am looking into an ebook version of We are Water, but the unique size and shape may make electronic publishing difficult.
I began looking at my photographs (originally shot on 35 mm slide film and digitized more recently) and writing matching haiku after reading The Art of Haiku by Stephen Addiss. I also had the opportunity to participate in a church art show with my poetry last summer. I produced a poster of a longer poem and a poster of one of my photographs as companion pieces. I have since produced four poetry posters (also known as broadsides), with signed and numbered copies available at Star Line Books and from the author.
I am also pleased to announce that the writers book club I organized had its first meeting on February 2nd and will meet again at Star Line Books, on Thursday, March 30th at 6:00 PM, We will discuss Anne Lamott’s book, Bird by Bird, an excellent resource for writers wishing to develop their craft.
​www.rayzimmermanauthor.com


Wednesday, March 9, 2016

Publication News
I just received news that two of my free verse poems will appear in the Spring issue of The Avocet, which will be out in late April. I also have a haiban in the current issue of The Weekly Avocet. Haiban are an interesting form, beginning with a prose passage and ending with a haiku. I find it surprising that I have just published a haiban while my previous posting on Goodreads author's blog included information about Narrow Road to the Interior, the work in which Matsuo Basho (1644 to 1694) formalized and popularized this form. Selections from Narrow Road to the Interior appear in collections of essays as well as collections of poetry.

Thursday, February 11, 2016

Working on my next book.

The Zen of Writing

The pen and the writer are one.
The page and the writer are one.
The keyboard and the writer are one.

I am the ink I spread across the page.

Monday, February 8, 2016

This also applies to postings on any Google Pages. 
Any posting on this Facebook page is solely my own, weather it be an opinion piece or a report of facts uncovered by editorial research. No posting represents my employer, my church, or any civic or nonprofit group of which I am a member, officer, director, or volunteer. The same is true of postings on my webpage at rayzimmerman.weebly.com, my blog atrayzimmerman.blogspot.com. google+ postings, and my book review pages on www.goodreads.com and www.amazon.com, as well as any postings on group pages on Facebook. Facebook postings on Fan Pages of organizations are solely developed to promote interest in said organizations and may not necessarily represent the opinion of those groups.

Sunday, January 31, 2016

I wrote this piece several years ago (early 1990's) for The Art of Living. Thanks to Finn Bille, editor and publisher for using my work.

Owls of Springtime
            I stand in a patch of moonlight opened by the fall of a live oak that grew in the too soft soil of the island. The moon is pale in comparison to its cousin the sun, so the opening is bathed in shadowy half-light.
            Human eyes adjust remarkably well to this pale luminescence. My trained eye picks out the individual branches of the live oaks and red maples; even the Spanish moss draped over the branches is revealed in the moonlight.
            Night vision is clear but fades to shades of gray, like a black and white photograph. The night world is one of sharpness and clarity, but without color.
            Beyond the island stretches the water and cypress world of Okefenokee swamp. Maps tell me that this water world has boundaries, but my senses tell a different story. My eyes and ears tell me that I could get in a canoe and travel forever, and at the end of that journey the swamp would go on.
            In early March the cypress are already green with new growth. The maples are in bloom with their particular red flowers and the light barely penetrates to the water. American poet James Weldon Johnson used a land much like this as an analogy for the darkness present before the creation of the sun. He referred to that time as “…blacker than a hundred midnights down in a cypress swamp.”
            Out on the swamp no movement is discernable. No bull gators bellow their amorous intentions this late in the spring. No heron is spooked from its roost with such hoarse squawking to make me believe that the ghosts of nearby Billy’s Island have come to life.
            I step back from the clearing, keenly aware of the incomparable alertness of the nighttime creatures. The wondering raccoon needs no flashlight to find the remnants of our evening meal. The owls in the treetop have seen and heard our small party before we even think of looking for them. How many times have I cursed a missing tent stake, despite my good night vision, only to find it beside my tent in the morning, not four inches from the wooden stake I cut from my firewood as a substitute? An owl has no trouble seeing the mouse it searches out for dinner. A fox has no trouble following the trail of a bob white or a rabbit. Humans alone seem limited in their sensory abilities at this time of day.
            The sense that I most associate with nighttime though is hearing. The crickets chirp, the tree frogs trill and the pig frogs grunt. I cup my hands beside my open mouth and softly hoot into the darkness. So my mentor did before me and so his before him. With a low call at first, I imitate the eight syllable call of the barred owl. As I increase the volume, an owl answers in the distance, and then another. The woods are home to a nesting pair, defending their territory from me, the intruder.
            Owls are made that way. They will not tolerate any strangers wandering into their territory. The island has just enough mice, voles, and cotton rats to support them and one year’s progeny. The hoot of an intruder is a query of a traveler looking for a home. The answer is the equivalent of “scram.”
            Later that night I awaken. Something has stirred the owls in the 3:00 AM darkness. Always vigilant, the pair defends their island home.