We Are Water

Dry weather this year

Color fades on dying trees

We are water

I am excited to announce that my new book, We are Water, is in the final stages of production. I review the final draft at the printer tomorrow, and hope the print run will be complete next week.

This book is a very small product, featuring haiku and color photographs. The photograph and matching haiku appear on facing pages, and the poems are inspired by the nature photographs. In technical terms, they are ekphrastic.

Initial production will be a short run, due to the cost of color printing, and the book will be available from the author and through a local book store. Five of my poem/photograph combinations are also available as post cards at Star Line Books in Chattanooga. I am looking into an ebook version of We are Water, but the unique size and shape may make electronic publishing difficult.

I began looking at my photographs (originally shot on 35 mm slide film and digitized more recently) and writing matching haiku after reading The Art of Haiku by Stephen Addiss. I also had the opportunity to participate in a church art show with my poetry last summer. I produced a poster of a longer poem and a poster of one of my photographs as companion pieces. I have since produced four poetry posters (also known as broadsides), with signed and numbered copies available at Star Line Books and from the author.

I am also pleased to announce that the writers book club I organized had its first meeting on February 2^nd and will meet again at Star Line Books, on Thursday, March 30^th at 6:00 PM, We will discuss Anne Lamott’s book, Bird by Bird, an excellent resource for writers wishing to develop their craft.

​www.rayzimmermanauthor.com

Publication News
I just received news that two of my free verse poems will appear in the Spring issue of The Avocet, which will be out in late April. I also have a haiban in the current issue of The Weekly Avocet. Haiban are an interesting form, beginning with a prose passage and ending with a haiku. I find it surprising that I have just published a haiban while my previous posting on Goodreads author's blog included information about Narrow Road to the Interior, the work in which Matsuo Basho (1644 to 1694) formalized and popularized this form. Selections from Narrow Road to the Interior appear in collections of essays as well as collections of poetry.

Working on my next book.

The Zen of Writing

The pen and the writer are one.

The page and the writer are one.

The keyboard and the writer are one.

I am the ink I spread across the page.

This also applies to postings on any Google Pages. 
Any posting on this Facebook page is solely my own, weather it be an opinion piece or a report of facts uncovered by editorial research. No posting represents my employer, my church, or any civic or nonprofit group of which I am a member, officer, director, or volunteer. The same is true of postings on my webpage at rayzimmerman.weebly.com, my blog atrayzimmerman.blogspot.com. google+ postings, and my book review pages on www.goodreads.com and www.amazon.com, as well as any postings on group pages on Facebook. Facebook postings on Fan Pages of organizations are solely developed to promote interest in said organizations and may not necessarily represent the opinion of those groups.

I wrote this piece several years ago (early 1990's) for The Art of Living. Thanks to Finn Bille, editor and publisher for using my work.

Owls of Springtime

            I stand in a patch of moonlight opened by the fall of a live oak that grew in the too soft soil of the island. The moon is pale in comparison to its cousin the sun, so the opening is bathed in shadowy half-light.

            Human eyes adjust remarkably well to this pale luminescence. My trained eye picks out the individual branches of the live oaks and red maples; even the Spanish moss draped over the branches is revealed in the moonlight.

            Night vision is clear but fades to shades of gray, like a black and white photograph. The night world is one of sharpness and clarity, but without color.

            Beyond the island stretches the water and cypress world of Okefenokee swamp. Maps tell me that this water world has boundaries, but my senses tell a different story. My eyes and ears tell me that I could get in a canoe and travel forever, and at the end of that journey the swamp would go on.

            In early March the cypress are already green with new growth. The maples are in bloom with their particular red flowers and the light barely penetrates to the water. American poet James Weldon Johnson used a land much like this as an analogy for the darkness present before the creation of the sun. He referred to that time as “…blacker than a hundred midnights down in a cypress swamp.”

            Out on the swamp no movement is discernable. No bull gators bellow their amorous intentions this late in the spring. No heron is spooked from its roost with such hoarse squawking to make me believe that the ghosts of nearby Billy’s Island have come to life.

            I step back from the clearing, keenly aware of the incomparable alertness of the nighttime creatures. The wondering raccoon needs no flashlight to find the remnants of our evening meal. The owls in the treetop have seen and heard our small party before we even think of looking for them. How many times have I cursed a missing tent stake, despite my good night vision, only to find it beside my tent in the morning, not four inches from the wooden stake I cut from my firewood as a substitute? An owl has no trouble seeing the mouse it searches out for dinner. A fox has no trouble following the trail of a bob white or a rabbit. Humans alone seem limited in their sensory abilities at this time of day.

            The sense that I most associate with nighttime though is hearing. The crickets chirp, the tree frogs trill and the pig frogs grunt. I cup my hands beside my open mouth and softly hoot into the darkness. So my mentor did before me and so his before him. With a low call at first, I imitate the eight syllable call of the barred owl. As I increase the volume, an owl answers in the distance, and then another. The woods are home to a nesting pair, defending their territory from me, the intruder.

            Owls are made that way. They will not tolerate any strangers wandering into their territory. The island has just enough mice, voles, and cotton rats to support them and one year’s progeny. The hoot of an intruder is a query of a traveler looking for a home. The answer is the equivalent of “scram.”

            Later that night I awaken. Something has stirred the owls in the 3:00 AM darkness. Always vigilant, the pair defends their island home.

Rain
Published in The Weekly Avocet

Like a love poem that fills the heart to overflowing

rain covers the mountain just after the New Year.

Murmuring rivulets dampen once dry leaves,

intersect paths and muddy trails,

muddy shoes and trouser legs.

I plunge through fecund mud and leaves,

become a mud man devoted to sylvan gods.

Glen Falls becomes a roaring torrent,

deceives my ears.

Thinking it close, I forge ahead.

The cascade below the fallsa booming choir.

Bases and contraltos reverberate from hickory and oak.

I bow before the splendor,

prepare to endure cold days ahead,

anticipate Equinox rebirth.

Found this in an old notebook.

Taurus

Ray Zimmerman

Taurus, bull of heaven,

Zodiac constellation,

lies on the ecliptic.

Ishtar released the bull.

It was vengeance against Gilgamesh

who refused her affections.

The bull scorched the earth.

Gilgamesh said “Let us go

and kill this bull of heaven.”

Enkidu, his friend, demurred.

“Let us not kill this bull of heaven,”

yet they destroyed the bull.

The land regained its strength.

Ishtar asked her father for revenge.

They have killed the bull of heaven!

Gilgamesh, half divine, was spared.

Mortal Enkidu died, lay in state for seven days.